MozartV1, PascalFrancis, Corpus, bibRecord, 000122

Emotions over time : Synchronicity and development of subjective, physiological, and facial affective reactions to music

Identifieur interne : 000122 ( PascalFrancis/Corpus ); précédent : 000121; suivant : 000123

Emotions over time : Synchronicity and development of subjective, physiological, and facial affective reactions to music

Auteurs : Oliver Grewe ; Frederik Nagel ; Reinhard Kopiez ; Eckart Altenmüller

Source :

Emotion : (Washington, D.C.) [ 1528-3542 ] ; 2007.

RBID : Francis:08-0019746

Descripteurs français

Pascal (Inist)
- Emotion émotivité, Conductance électrique, Face, Affect affectivité, Musique, Peau, Mimique, Homme.

English descriptors

KwdEn :
- Affect affectivity, Electrical conductance, Emotion emotionality, Face, Facial expression, Human, Music, Skin.

Abstract

Most people are able to identify basic emotions expressed in music and experience affective reactions to music. But does music generally induce emotion? Does it elicit subjective feelings, physiological arousal, and motor reactions reliably in different individuals? In this interdisciplinary study, measurement of skin conductance, facial muscle activity, and self-monitoring were synchronized with musical stimuli. A group of 38 participants listened to classical, rock, and pop music and reported their feelings in a two-dimensional emotion space during listening. The first entrance of a solo voice or choir and the beginning of new sections were found to elicit interindividual changes in subjective feelings and physiological arousal. Quincy Jones' "Bossa Nova" motivated movement and laughing in more than half of the participants. Bodily reactions such as "goose bumps" and "shivers" could be stimulated by the "Tuba Mirum" from Mozart's Requiem in 7 of 38 participants. In addition, the authors repeated the experiment seven times with one participant to examine intraindividual stability of effects. This exploratory combination of approaches throws a new light on the astonishing complexity of affective music listening.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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A11	`01`	`1`		`@1 GREWE (Oliver)`
A11	`02`	`1`		`@1 NAGEL (Frederik)`
A11	`03`	`1`		`@1 KOPIEZ (Reinhard)`
A11	`04`	`1`		`@1 ALTENMÜLLER (Eckart)`
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C03	`01`	`X`	`ENG`	`@0 Emotion emotionality @5 01`
C03	`01`	`X`	`SPA`	`@0 Emoción emotividad @5 01`
C03	`02`	`X`	`FRE`	`@0 Conductance électrique @5 02`
C03	`02`	`X`	`ENG`	`@0 Electrical conductance @5 02`
C03	`02`	`X`	`SPA`	`@0 Conductancia eléctrica @5 02`
C03	`03`	`X`	`FRE`	`@0 Face @5 03`
C03	`03`	`X`	`ENG`	`@0 Face @5 03`
C03	`03`	`X`	`SPA`	`@0 Cara @5 03`
C03	`04`	`X`	`FRE`	`@0 Affect affectivité @5 04`
C03	`04`	`X`	`ENG`	`@0 Affect affectivity @5 04`
C03	`04`	`X`	`SPA`	`@0 Afecto afectividad @5 04`
C03	`05`	`X`	`FRE`	`@0 Musique @5 05`
C03	`05`	`X`	`ENG`	`@0 Music @5 05`
C03	`05`	`X`	`SPA`	`@0 Música @5 05`
C03	`06`	`X`	`FRE`	`@0 Peau @5 06`
C03	`06`	`X`	`ENG`	`@0 Skin @5 06`
C03	`06`	`X`	`SPA`	`@0 Piel @5 06`
C03	`07`	`X`	`FRE`	`@0 Mimique @5 07`
C03	`07`	`X`	`ENG`	`@0 Facial expression @5 07`
C03	`07`	`X`	`SPA`	`@0 Mímica @5 07`
C03	`08`	`X`	`FRE`	`@0 Homme @5 18`
C03	`08`	`X`	`ENG`	`@0 Human @5 18`
C03	`08`	`X`	`SPA`	`@0 Hombre @5 18`
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Format Inist (serveur)

NO :	FRANCIS 08-0019746 INIST
ET :	Emotions over time : Synchronicity and development of subjective, physiological, and facial affective reactions to music
AU :	GREWE (Oliver); NAGEL (Frederik); KOPIEZ (Reinhard); ALTENMÜLLER (Eckart)
AF :	Hannover University of Music and Drama/Allemagne (1 aut., 2 aut., 3 aut., 4 aut.)
DT :	Publication en série; Niveau analytique
SO :	Emotion : (Washington, D.C.); ISSN 1528-3542; Coden EMOTCL; Etats-Unis; Da. 2007; Vol. 7; No. 4; Pp. 774-788; Bibl. 3/4 p.
LA :	Anglais
EA :	Most people are able to identify basic emotions expressed in music and experience affective reactions to music. But does music generally induce emotion? Does it elicit subjective feelings, physiological arousal, and motor reactions reliably in different individuals? In this interdisciplinary study, measurement of skin conductance, facial muscle activity, and self-monitoring were synchronized with musical stimuli. A group of 38 participants listened to classical, rock, and pop music and reported their feelings in a two-dimensional emotion space during listening. The first entrance of a solo voice or choir and the beginning of new sections were found to elicit interindividual changes in subjective feelings and physiological arousal. Quincy Jones' "Bossa Nova" motivated movement and laughing in more than half of the participants. Bodily reactions such as "goose bumps" and "shivers" could be stimulated by the "Tuba Mirum" from Mozart's Requiem in 7 of 38 participants. In addition, the authors repeated the experiment seven times with one participant to examine intraindividual stability of effects. This exploratory combination of approaches throws a new light on the astonishing complexity of affective music listening.
CC :	770B07F
FD :	Emotion émotivité; Conductance électrique; Face; Affect affectivité; Musique; Peau; Mimique; Homme
ED :	Emotion emotionality; Electrical conductance; Face; Affect affectivity; Music; Skin; Facial expression; Human
SD :	Emoción emotividad; Conductancia eléctrica; Cara; Afecto afectividad; Música; Piel; Mímica; Hombre
LO :	INIST-27611.354000173572200110
ID :	08-0019746

Links to Exploration step

Francis:08-0019746

Le document en format XML

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Emotions over time : Synchronicity and development of subjective, physiological, and facial affective reactions to music

Emotions over time : Synchronicity and development of subjective, physiological, and facial affective reactions to music

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